The Premier Arts production of “The King and I,” which played the first of its three performances at the Elco Theatre Friday evening is, to quote the late Ed Sullivan (ask your older friends), “a reeeeely big show.” Bigger, however, does not always mean better. In fact, this “King and I” — one of Rodgers and Hammerstein’s “Big Five” — is frequently best when The King (Curtis Hill Jr.) and Anna Leonowens (Liberty Morgan Cantzler) are interacting alone. Cantzler has the majority of the production on her slim shoulders and, as the English widow summoned to the court of Siam in the late 1860s to teach King Mongkut’s many children, she is well up to the task. With five solos (plus two reprises), she is on stage most of the time and, when not, obviously is changing costumes. Still, she manages to deliver a sustained, solid and sensitive performance which is, at all times, very believeable. She also has a warm and true soprano which more than does justice to such familiar melodies as “Getting to Know You” and “Hello Young Lovers.” Her angry soliloquy, “Shall I Tell You What I Think of You?” delivered after a confrontation with the king, is well done but would be more effective up to tempo. As the autocratic and absolute ruler, Hill reprises the role he created for Elkhart Civic
Theatre in 2000, but here with lots more glitter and eye shadow. He has lost none of the commanding physical presence required for the monarch (a la Yul Brynner). The stance is there, but rapid delivery sometimes results in the loss of dialogue. Whatever the few flaws, there is no doubt he will forever be associated with this character, no matter what roles he may undertake in the future. He IS The King! The ill-fated lovers Tuptim and Lun Tha are played, according to the program, by Maddy Whitby and Peter Sessions. On Friday evening, however, Whitby, who was in a minor car accident on Wednesday, was replaced by choreographer Ashley Frost, a fact that was not announced to the audience. Hopefully, Whitby will be on stage tonight and Sunday. Frost was a very acceptable substitute and she and Sessions blended well on their two duets, “We Kiss in the Shadow” and “I Have Dreamed.” Don’t look for the last in the film version. It was not included, nor were “Shall I Tell You” or “My Lord and Master,” Tuptim’s initial solo. Laurie DuBois was Lady Thiang, first wife to the king and mother of the crown prince, who expresses her feelings about the king in “Something Wonderful.” There are so many “Siamese children” in this production (80 in the children’s ensemble) that one wonders how the King who fathered them all had time to do anything else. All know where to go and when and how to behave on stage, which definitely is a plus and hopefully will be put to good use in future productions. But the sheer magnitude of the numbers tends to make them all blur together, unless, of course, you’re a friend or relative, and there were many among the 1,200 people in the Elco Friday evening. The youngsters in featured roles — Jackson Fann as Crown Prince Chulalongcorn, Brayden Cantzler as Louis Leonowens and DeAnn Veatch as Princess Ying Yaowalak — carried off their assignments with aplomb, and the adorable Veatch was a real heartbreaker. Unfortunately, the dancers in the second act ballet, “The Small House of Uncle Thomas,” were not named in the program (nor were any of the scenes or musical numb ers). So I can say only that Eliza and Co. did a very fine job in the Siamese version of “Uncle Tom’s Cabin.” “The King and I” plays at 7:30 p.m. today and 3 p.m. Sunday at the Elco. Call 293-4469.