It would not be Christmas without Ebenezer Scrooge. In spite of all the adjunct holiday characters — Charlie Brown, the Grinch, George Bailey, Ralphie Parker et al — who appear annually in various Christmas stories, the hands-down favorite is old Mr. Scrooge and his overnight redemption. There have been many versions since Charles Dickens penned the tale in December 1843 to earn money to pay off his debts. There are more than a dozen movies/TV films of the story, with Scrooge played by a really diverse list of actors, real and animated. My favorite is the B&W 1951 British movie starring Alistair Sim, but that’s beside the point. In 1994, composer Alan Menken and lyricist Lynn Ahrens combined to turn the classic into a musical, which played every Christmas season for 10 years in the theater at Madison Square Garden, N.Y.
On Friday, this version returned to the stage at the Ramada Wagon Wheel Theatre in Warsaw (it was first produced there in 2004) and, without exception, it is the best holiday production of this season. Let me count the ways. First there are the voices. Forget about good solo voices on principals only. Every member of the cast has what it takes to be center stage, even though some are primarily only in the ensemble. Solos are memorable and the chorus numbers blow you away. Then there is the plus that is always award-winning director Scott Michaels’ choreography and the fleet-footed dancers who turn his directions into dazzling production numbers, making the relatively small dance area seem to quadruple in size. There are young people in the cast, several who must be in elementary or middle school at most. All are amazingly professional, in crowd scenes or as featured characters — Stone Rager as Tiny Tim, tiny Lauren Housel as Fan, Derek Grose as 12-year-old Scrooge, Lucas Thomas as Jonathan and clear-voiced Tara Rusinack a motherless child — and they never miss a beat or a lyric or an entrance and stay in character throughout, something with which many adults have a problem. They are a real delight. Then there are the “leading players” — dashing John Hannes and equally dashing Jace Nichols who portray (among other things) the dapper ghosts of Christmas Past and Present, respectively; Adrian Aguilar as the hard-working Bob Cratchit; Mike Yocum as the chain-rattling ghost of Jacob Marley; Lars Hagland and the irrepressible Briana Borger as Mr. and Mrs. Fezziwig; Jennifer Dow as Ebenezer’s one-time fiance Emily; David Lepor as Scrooge’s forgiving nephew Fred; and, of course, the founder of the feast, Mr. Scrooge, played with an appropriately wavery baritone and Grinchly growl by Burke Frey. The costumes by Stephen R. Hollenbeck are period-perfect and bright as the ribbons on a Christmas package (excepting, of course, for Marley and his ghoulish spectres). Thomas Stirling leads the seven piece orchestra confidently through the show’s 15 numbers and Fritz Bennett’s lighting design is as atmospheric as always. Sound designer Chris Pollinow makes it possible for everyone to be heard — and understood. Wagon Wheel regulars may find the set familiar. It is the one designed for the ’04 production by the late Roy Hine, with necessary touch ups by technical director Michael Higgins. Vocally, visually, instrumentally and dance-wise, this “Christmas Carol” definitely is an abundance of riches! If it doesn’t put you in the holiday mood, you need to see three spirits! “A Christmas Carol” plays Friday through Sunday and Dec. 19-21. For show times and ticket prices/reservations, check the website listed above.