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Let's Hear It From The Girls! PDF Print E-mail
Written by Marcia Fulmer   
Thursday, 20 June 2013 18:20

If your instant visualization of a jazz musician is a middle-aged gentleman, possibly with a receding hairline, a slightly wrinkled face and a constantly tapping toe, visualize again!

Bria Skonberg at the 2013 Elkhart (IN) Jazz FestivalNothing could be farther from the reality of two of the most talented jazz musicians being featured in the Elkhart Jazz Festival 2013.

Both are young, very talented, very attractive and very well-versed on the subject of jazz — past and present — and undoubtedly will play an important part in its future.

The only difference is that Bria Skonberg plays trumpet and flugelhorn and Ariel Pocock can be found at the piano.

Both will be familiar to regular visitors at past EJFs.

Bria came to the 2009 EJF as a member of the west coast sextet Mighty Aphrodite, an all-girl group which was a definite plus that year. She not only played but sang. Today she leads the Bria Skonberg Quintet and has changed her “coast of residence” to New York City.

Last Updated on Sunday, 23 June 2013 21:29
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'Addams Family' To Visit Kalamazoo PDF Print E-mail
Written by Marcia Fulmer   
Monday, 21 October 2013 19:24

The Addams Family Miller Auditorium Kalamazoo MI“They’re creepy and they’re kooky,

            Mysterious and spooky,

They’re altogether ooky,

            The Addams Family.


Their house is a museum

            When people come to see-um,

They really are a scre-um

            The Addams Family.

   (neat, sweet, petite)

So get a witch’s shawl on,

            A broomstick you can crawl on

We’re going to make a call on

            The Addams Family!”

The familiar theme for the TV version of Charles Addams’ famous cartoons in The New Yorker magazine is one song you won’t hear in composer Andrew Lippa’s score for the touring production set to play Tuesday and Wednesday evening in Miller Auditorium at Western Michigan University in Kalamazoo, Mich.

All the Addamses — Gomez, Morticia, Wednesday, Pugsley, Grandma, Uncle Fester and even Lurch — will be ready to greet visitors at 7:30 pm. Also invited for dinner are Wednesday’s boyfriend Lucas Beinenke and his parents, Mal and Alice.

Word is this will be a ”spooktacular” meal. It seems everyone has something to hide and more than a few skeletons in their closets.

Book for this new Addams Family adventure is by Marshall Brickman and Rick Elice who also are responsible for “Jersey Boys.”

Tickets range from $35 to $58. For reservations, call (269) 387-2300 or visit www.millerauditorium.com.


Last Updated on Monday, 21 October 2013 19:46
 
Relationships Focus Of Ensemble Production PDF Print E-mail
Written by Marcia Fulmer   
Tuesday, 21 June 2016 18:31

What’s in a name?

The title of The Acting Ensembles’s current production, which opened Friday evening in Studio 217, might — as Shakespeare would say — give you pause.

A prize-winning comedy/drama by British playwright Mike Bartlett, the four-character study in relationships is titled “Cock.”

OK, so the program cover illustrates it in one way with a black-and-white design of two roosters obviously fighting. Among the many dictionary definitions are a faucet valve, a gun hammer and the jaunty tilt of a hat. None reference male genitalia which, however, seems to be the first connection most people make.

That’s unfortunate if it keeps anyone from seeing the clever, caustic and frequently comedic play which holds the attention completely for its 90-minute, no intermission, playing time.

Done as the playwright instructs, with no set, no props, no furniture, no specific costuming and no specific time frame, it allows everything to be focused on the participants, or should I say combatants, because that is precisely what they are. If not at first, then definitely at last.

The suggested circular arena is a box-like space here which serves equally well as the actors advance and retreat, circle, enter and exit. Round or square, they are caught within the limitations of their lives.

John (Brent Graber) and M (Geoff Trowbridge) have been in an exclusive relationship for an undesignated length of time when M feels the need for taking a break. John protests but eventually agrees.

When M returns, he is carrying the burden of another love affair — with a woman — and is, to quote an old cliché, on the horns of a dilemma. Caught between his feelings for both M and W (Angie Berkshire), John finds himself struggling to make a decision.

“What I am is not more important than who I am” he declares, torn between the two and seemingly unable to choose.

To facilitate a decision, a dinner for three is arranged with M stacking the deck slightly by adding F (Brad Mazick), his father, to the guest list. No surprise as to who’s cause he is supporting.

In the course of the evening, the pros and cons of all manner of relationships are discussed, focusing on identity and sexuality and the part they play in the life and makeup of an individual.

Agree with the outcome or not, under the direction of Melissa Gard, the solid acting quartet delivers a frequently humorous always thought-provoking evening — and one that, unfortunately, you probably will not have the opportunity to see again in this area.”

COCK” plays Thursday through Sunday on The Acting Ensemble Main Stage at Studio 217, 217 S. Michigan St., South Bend. For performance times and reservations, call (574) 807-0108 or visit This e-mail address is being protected from spambots. You need JavaScript enabled to view it . Adult language and content.

 
Runyon Characters Back At The Barn PDF Print E-mail
Written by Marcia Fulmer   
Saturday, 25 June 2016 19:57

The late Damon Runyon is known best as a writer and author of many short stories which conjure up images of brightly garbed Broadway characters best known by descriptive nicknames and a distinctive manner of speech.

Guys and Dolls  The Barn Theatre  Augusta MIRunyon was a newspaper reporter and award-winning sports writer whose colorful creations remain unique. These are the stories and personalities which supplied the basis for one of the theater’s best-loved and most frequently produced musical comedies, ‘Guys and Dolls.”

It debuted on Broadway in 1951 and saw three successful revivals — 1976, 1994 and 2005 — plus unending productions in every regional and civic theater across the country. Subitled “A Musical Fable of Broadway,” it is now on stage at The Barn Theatre in Augusta, MI..

With the bright lights of Broadway and the elusive rumblings of “The Oldest Established (Permanent Floating Crap Game in New York)” underscoring the action, it is filled with delightfully off-center guys (gamblers and police) and dolls (nightclub entertainers and mission workers), each of whom pursues his/her ambitions with admirable determination.

Guys and Dolls  The Barn Theatre  Augusta MIThe book by Jo Swerling and Abe Burrows and music and lyrics by Frank Loesser are incredibly well tuned in to the Runyonesque vibe, dialogue, lyric and character-wise.

With a cast of characters that includes Sky Masterson (Eric Parker), Nathan Detroit (Robin Haynes), Harry the Horse (John Jay Espino), Nicely-Nicely Johnson (Patrick Hunter), Benny Southstreet (Sam Massey), Rusty Charlie (Jamey Grisham) and Big Jule (Charlie King), the plot revolves around Nathan’s need for $1,000 to secure a location for his floating crap game, and on Sister Sarah Brown’s (Hannah Eakin) need to produce a goodly number of “genuine sinners” for her midnight prayer meeting at the Save-A-Soul Mission..

To insure the former, Nathan bets Sky that he cannot take Sister Sarah to dinner. To insure the latter, she agrees to go, not knowing that the dinner will be in Havana.

Meanwhile, Nathan is dealing with his lack of location (for the game) and his 14-year engagement to Miss Adelaide (Brooke Evans), headliner at the Hot Box nightclub. She is dealing with a 14-year psychosomatic head cold and has already assured her mother they are married, with a large number of children.

Guys and Dolls  The Barn Theatre  Augusta MIAdd to this a colorful array of Runyon’s Broadway characters all “lookin’ for action” in Nathan’s crap game and a police lieutenant Brannigan (Matt Ruehlman) determined to shut it down and you have a wonderfully off-beat mix, all set to the marvelous Loesser score.

The primary problem here, on opening night at least, was the obvious lack of rehearsal time for the too-loud, too-off key, mostly-brass orchestra. From the opening notes of the overture, familiarly known as “post time,” it was obvious this was going to be a bumpy ride. And it didn’t get any better.

In any production, the first step to a successful endgame is casting, matching the right actor with the right role as closely as possible. Even when the performer is good, he/she may not be the right one for a particular part.

The mis-matching was evident here. There was no connection between Sky and Sarah, who oversang all her solo work, and their romantic involvement was embarrassing at best. Most of the gamblers took mugging to a new level, forgetting these are written as characters not caricatures.

One successful pairing is that of Adelaide and Nathan who happily remembered that less is more and managed a definitely sweet aura even in their hilariously love me/love me not duet “Sue Me.” Evans has the most familiar song, “Adelaide’s Lament,” which she handled well, sneezes and all, while Haynes’ frequently frantic Nathan always walked the fine line between real and cartoonish with appreciated ease..

Director Hans Friedrichs, who also played Sarah’s uncle Arvide Abernathy, probably should have cast a stronger “sheep’s eye” on the entire flock.

All in all, however, it’s difficult to keep a good classic down and most of the audience seemed to be having a good time.

“GUYS AND DOLLS” plays through July 3 in the theater on M-96 between Galesburg and Augusta, MI. For performance times and reservations, call (269) 731-4121 or visit www.barntheatreschool.org

Last Updated on Saturday, 25 June 2016 21:09
 
'Hair' Plays Tonight At Miller Auditorium PDF Print E-mail
Written by Marcia Fulmer   
Wednesday, 27 February 2013 15:30

The Age of Aquarius, it seems, is always with us.

hair  tour Miller Auditorium  Kalamazo MichiganOriginally on Broadway in 1968, the James Rado/Gerome Ragni/Galt MacDermott musical appropriately titled "Hair," returned to the Great White Way in 1977 and 2009, winning numerous awards with each incarnation. The most recent is now on tour, bringing its look at the movement of the '60s and '70s that changed America forever to theaters across the country. From its score, many songs have joined the list of hits on the Great American Songbook. Among these "Let The Sun Shine In," "Aquarius," "Good Morning Starshine" and the title tune.

Claude and his peace-loving friends will be on stage in (and out) of appropriate hippie attire at 7:30 p.m. today in Miller Auditorium at Western Michigan University. For tickets, call (800) 228-99858 or (269) 387-2300 or visit www.millerauditorium.com.

For those who were "there" — and those who were not— its one way to review past mistakes and keep them from repeating themselves.  

Last Updated on Thursday, 28 February 2013 03:38
 
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