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Let's Hear It From The Girls! PDF Print E-mail
Written by Marcia Fulmer   
Thursday, 20 June 2013 18:20

If your instant visualization of a jazz musician is a middle-aged gentleman, possibly with a receding hairline, a slightly wrinkled face and a constantly tapping toe, visualize again!

Bria Skonberg at the 2013 Elkhart (IN) Jazz FestivalNothing could be farther from the reality of two of the most talented jazz musicians being featured in the Elkhart Jazz Festival 2013.

Both are young, very talented, very attractive and very well-versed on the subject of jazz — past and present — and undoubtedly will play an important part in its future.

The only difference is that Bria Skonberg plays trumpet and flugelhorn and Ariel Pocock can be found at the piano.

Both will be familiar to regular visitors at past EJFs.

Bria came to the 2009 EJF as a member of the west coast sextet Mighty Aphrodite, an all-girl group which was a definite plus that year. She not only played but sang. Today she leads the Bria Skonberg Quintet and has changed her “coast of residence” to New York City.

Last Updated on Sunday, 23 June 2013 21:29
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'Addams Family' To Visit Kalamazoo PDF Print E-mail
Written by Marcia Fulmer   
Monday, 21 October 2013 19:24

The Addams Family Miller Auditorium Kalamazoo MI“They’re creepy and they’re kooky,

            Mysterious and spooky,

They’re altogether ooky,

            The Addams Family.


Their house is a museum

            When people come to see-um,

They really are a scre-um

            The Addams Family.

   (neat, sweet, petite)

So get a witch’s shawl on,

            A broomstick you can crawl on

We’re going to make a call on

            The Addams Family!”

The familiar theme for the TV version of Charles Addams’ famous cartoons in The New Yorker magazine is one song you won’t hear in composer Andrew Lippa’s score for the touring production set to play Tuesday and Wednesday evening in Miller Auditorium at Western Michigan University in Kalamazoo, Mich.

All the Addamses — Gomez, Morticia, Wednesday, Pugsley, Grandma, Uncle Fester and even Lurch — will be ready to greet visitors at 7:30 pm. Also invited for dinner are Wednesday’s boyfriend Lucas Beinenke and his parents, Mal and Alice.

Word is this will be a ”spooktacular” meal. It seems everyone has something to hide and more than a few skeletons in their closets.

Book for this new Addams Family adventure is by Marshall Brickman and Rick Elice who also are responsible for “Jersey Boys.”

Tickets range from $35 to $58. For reservations, call (269) 387-2300 or visit www.millerauditorium.com.


Last Updated on Monday, 21 October 2013 19:46
 
Comic Tour De Force Must-See At The Barn PDF Print E-mail
Written by Marcia Fulmer   
Thursday, 01 September 2016 22:35

They say it takes a village to raise a child but there’s proof this week at The Barn Theatre that it takes only two men to create an entire town!

Red, White and Tuna The Bafrn Theatre Augusta MIThe men in question are Scott Burkell and Joe Aiello, actors (and quick change artists) extraordinaire, returning to the Augusta, MI playhouse after a far-too-long absence.

The town is Tuna, Texas where residents are about to celebrate the 4th of July Tuna High School reunion.

Put them all together and you have “Red, White and Tuna,” the final (to date) part of the trilogy that began with ”Tuna, Texas” and expanded into “A Tuna Christmas” before landing on the national and local celebrations that brought back the wild and wooly Tuna-sians for another hilarious go-round.

Between the two actors, 20 citizens created — and recreated — by Ed Howard, Joe Sears and Jason Williams, here again, renewing old feuds and reviving old loves and even finding a missing husband returning from outer space with a special power.

It took about 30 seconds (after the first gust of laughter receded) to remember why the Burkell-Aiello team is so greatly missed, as a duo or solo. Watching them work, no matter what the character — young, old, male, female — is a master class in acting.

Even in the most outrageous — gun lover Didi Snavely, frequently suicidal reunion queen Joe Bob Lipsey, octogenarian swinger Pearl Burras, animal lover Petey Fisk, Smutsnatchers president Vera Carp, almost-divorced Bertha Bumiller, her taxidermy artist son Stanley, pregnant daughter Charlene and eager fiancé Arles Struvie, former cheerleaders Inita Goodwin and Helen Bedd, to name only a few — there are touches of humanity beneath the layers of absurdity that allow them to make a connection with each audience member.

Red, White and Tuna  The Barn Theatre Augusta MILocal news flashes on radio station OKKK,plus an off-stage cat that thinks it’s a dog, bridge the required brief changes.

It’s constant laughter with a recurring lump in the throat.

Under the direction of Brendan Ragotzy, the intertwined story plays out before Michael Wilson Morgan’s versatile set design with each segment lit appropriately by lighting designer Molly Lampers.

Not surprisingly, wigs and costumes play more than a passing part in the tight transformations which keep up the pace set by the versatile performers. Hans Friedrichs is costume designer with wigs undesignated.

There is no listing for the company members who served as quick-change dressers for the two stars, but they took a well-deserved bow at the final curtain.

It is a sure thing that each audience member left the theater chuckling with his or her favorite character(s) still in mind.

To paraphrase Didi Snavely, “If you can’t get yourself laughing in a small town in Texas, you ain’t really trying.”

In Tuna, Texas you never have to try!

“RED, WHITE AND TUNA” plays at 8 p.m. Friday and Saturday and 5 p.m. Sunday in the theater on M-96 between Galesburg and Augusta, MI. For reservations call (269) 731-4121 or on line at www.barntheatreschool.org

 

Last Updated on Friday, 02 September 2016 15:04
 
:Laughter Necessary Element In ECT Farce PDF Print E-mail
Written by Marcia Fulmer   
Sunday, 11 September 2016 20:57

“Dying is easy, comedy is hard.”

The origin of this comment is ascribed to a variety of sources including George Burns, W.C. Fields and one (or both) of “The Sunshine Boys.”

Unnecessary Farce Elkhart Civi Theatre Bristol INWhoever said it or wherever it came from, the current Elkhart Civic Theatre production of Paul Slade Smith’s “Unnecessary Farce,” which opened Friday evening at the Bristol Opera House, is proof of its accuracy.

There are certain requisites for any farce, the most important being good timing. Add to this a large number of sturdy doors to slam; a cast of characters most of whom are several cents short of a dime and therefore manage to totally miss the obvious, even when it is staring them in the face; and a definitely absurd plotline that begins almost rationally and ends up so far off the rails it’s difficult to determine just who is who.

Unnecessary Farce  Elkhart Civic Theatre Bristol INUndaunted, and under the direction of ECT veteran David Dufour, assisted by Demaree Dufour Noneman, the intrepid septet of actors who make up the cast plunges ahead with increasing gusto. Of course, several wind up in their underwear (also a requisite in farce) which slows them down not one bit!

It doesn’t take long for the laughs to start rolling in and the premise to become even more convoluted.

In two adjoining rooms in a sleazy motel (and nobody does sleazy rooms or sturdy doors — and there are eight here and all get a really good workout — better than set designer John Shoup) the setup is focused on two cops (Angie Berkshire and Mike Nichols) waiting in one room ready to get the goods on the town mayor (Rick Nymeyer) and his accountant (Libby Uruh) reported to be meeting in the other in a matter of embezzlement.

Their visual proof will be whatever is caught on tape via a hidden camera in the mayor’s room feeding images to the TV set in the cops’ room.

Simple right? Wrong!! This is farce, remember.

Unnecessary Farce  Elkhart Civic Theatre Bristol INAdd to this mix the mayor’s wife (Jennifer Ross), looking for her husband; a security agent (Keith Sarber) who may or may not be on official business; and a mysterious (?) intruder (Tony Venable) known only as the Highland Hitman, bagpiper and enforcer for the local Scottish Clan (“That’s clan with a C”).

Officer Billie Dwyer (Berkshire) is at the end of her official training and announces frequently and eagerly “Today I become a cop.” Officer Eric Sheridan (Nichols) is her reluctant partner, who has his doubts. Together they share donuts (of course!) and the inability to successfully apprehend anybody!

Accountant Karen Brown (Unruh) is not involved in the crime but is there to catch Mayer Meekly (Nymeyer) with his hand in the till. Her undercover (literally!) relationship to Officer Sheridan is revealed to Dwyer who sits next door eating donuts and watching the video feed.

Unnecessary Farce Elkhart Civic Theatre  Bristol INAgent Frank (Sarber) is the push-me pull-you of law enforcement , especially when confronted by Highland Hitman Todd (Venable) and Mary Meekly (Ross), whose entrances are very well ill-timed.

And that’s just for starters

The gentlemen of the ensemble do well with lines and the physicality their situations demand. Berkshire and Unruh deserve applause for both verbally and physically making the most of the their characters and situations. Berkshire most especially stands out (and up!) for achieving the most hilariously convoluted semi-escape on record.

The wait for laughs and the ability to pick up the pace without losing lines are the most difficult parts of farce, as is the realization that louder does not always mean funnier.

At whatever level, “Unnecessary Farce” provides two hours (including intermission) of laughter and, today especially, there is nothing more necessary than that.

UNNECESSARY FARCE” plays Friday through Sunday in the Bristol Opera House on SR 120 In Bristol. For show times and reservations, call (574) 848-4116 or on line at www.elkhartcivictheatre.orgh

Last Updated on Sunday, 11 September 2016 21:19
 
'Hair' Plays Tonight At Miller Auditorium PDF Print E-mail
Written by Marcia Fulmer   
Wednesday, 27 February 2013 15:30

The Age of Aquarius, it seems, is always with us.

hair  tour Miller Auditorium  Kalamazo MichiganOriginally on Broadway in 1968, the James Rado/Gerome Ragni/Galt MacDermott musical appropriately titled "Hair," returned to the Great White Way in 1977 and 2009, winning numerous awards with each incarnation. The most recent is now on tour, bringing its look at the movement of the '60s and '70s that changed America forever to theaters across the country. From its score, many songs have joined the list of hits on the Great American Songbook. Among these "Let The Sun Shine In," "Aquarius," "Good Morning Starshine" and the title tune.

Claude and his peace-loving friends will be on stage in (and out) of appropriate hippie attire at 7:30 p.m. today in Miller Auditorium at Western Michigan University. For tickets, call (800) 228-99858 or (269) 387-2300 or visit www.millerauditorium.com.

For those who were "there" — and those who were not— its one way to review past mistakes and keep them from repeating themselves.  

Last Updated on Thursday, 28 February 2013 03:38
 
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