There is no better way to express emotion than with a song. Proof of this was displayed in two different formats last weekend. The connection was beautiful music performed by beautiful voices. The first was a solo cabaret (her first) at Chicago's Davenport's by former Michiana soprano Cheryl Szucits. FYI: Davenport's is one of THE cabaret venues in the Windy City. This was Cheryl's weekend and, as long time fans John Shoup, Penny Meyer, Dorothy Szuits (Cheryl's mom) and me headed into the rain. destination Davenport's. Having seen Cheryl on stage for Elkhart Civic Theatre and South Bend Civic as well as at Brian Barr's popular Mishawaka piano bar, I was always aware of her vocal ability. But, as many know, there is a lot between just producing the notes, no matter how beautifully, and interpreting the song. Therefore I have to say that, although the beautiful face was the same, the voice was bigger, richer and full of whatever emotion was evoked by a particular set of lyrics, not to mention displaying admirable control and shading and the ability to go from a belt to a lingering pianissimo with enviable ease.
The program was titled "Borrowed Time: The Life and Music of Nancy LaMott" and Cheryl emphasized the similarities between her life and that of LaMott, musically and via a brief narrative. Having always been a fan of the late Midland, Mich., native, it was a play list that, for me, was compiled of one happily familiar tune after the other. And the music could not have been interpreted or sung better than it was by Cheryl, with excellent support from pianist Joshua Kartes. "Listen to My Heart," LaMott's signature song, "Just in Time for Christmas" and "I'll Be Here with You" were only three that brought more than just one tear to the eye. The fact that Cheryl's father had passed away less than three weeks earlier made her sensitive performance even more impressive. Obviously, this was just the first of many! Will keep you posted. The perfect finale to this musical weekend was a tribute concert honoring Roy Hine Sunday evening at the Ramada Wagon Wheel Theatre in Warsaw. If there was any doubt about the impact of Hine, who served as artistic director for more than a decade, on the performers who spent a summer (or summers) with him, their remembrances dispelled it instantly. Thirteen performers took the stage to share some of their memories and recreate musical moments at the Wheel. For any who were in the audience during the "original" past productions, it was a tangible reminder of the incredible talent Hine brought together during his years in Warsaw. In an evening of highlights, among the most memorable were Mike Yocum delivering a bravura solo on turn which incorporated all the salesmen in "The Music Man's" opening "Rock Island Line"; Jennie Sophia sailing through Rodgers and Hammerstein duets with Adrian Agular and nailing perfectly "Ice Cream" from "She Loves Me;" too-long absent Robert Joseph Miller pondering "If Life Were Like the Movies;" and Crystal VanArtsdalen, usually seen in the ensemble, belting "Give Me a Chance to Sing Melody." Who knew? VanArtsdalen and WW leading ladies Brianna Borger and Jennifer Dow were responsible for putting the concert together. When the company gathered for the finale, "What I Did For Love" and Roy's favorite holiday song, "Have Yourself a Merry Little Christmas," there was no doubt that his spirit was in the house.