Everybody Gets Footloose At Wagon Wheel PDF Print E-mail
Saturday, 17 June 2017 18:29

The dancing feet of the talented 2017 Wagon Wheel Theatre company are again in the spotlight in its current production of “Footloose,” which opened Wednesday evening in the Warsaw theater center.

Footloose  Wagon Wheel Theatre  Warsaw INThe driving rhythms of the title tune open and close the high-energy musical, based on the 1984 film which brought everyone more than six degrees closer to star Kevin Bacon.

From first to last, the mix of pop and country styles offers something for everyone, underscoring the tale of rebellious youth and allowing all the happy endings expected for most musicals. If there are few surprises, the fun really is in getting there.

The score by Tom Snow and lyricist Dean Pitchford (plus a number of others) includes a number of tunes that became chart-topping hits, especially the title song by Pitchford and Kenny Loggins.

Footloose  Wagon Wheel Theatre  Warsaw INFamiliar or not, there is no way to sit still — or keep your toes from tapping — as the eventually-rebellious teens of Bomont, Utah persuade their elders that singing and dancing do not equate with sinful.

Leading the charge is the traditional “outsider,” Ren McCormack (Matthew Copley). Recently relocated with his mother Ethel (Jennifer Dow) from a major city to the small town home of her brother, where dancing is against the law, he finds it difficult to stay within that law

Ren becomes friends with Willard Hewitt (Blake Bowejski) who reveals the origin of the no-dancing law.

Of course, Ren is immediately attracted to Ariel Moore (McKenzie Kurtz), daughter of the minister, Shaw Moore (Brett Frazier), who proposed the law after the death of his son. His bitter grief has resulted in shutting out his wife, Vi (Kira Lace Hawkins), and his daughter. She rebels via a relationship with the town bad boy Chuck Cranston (Britton Hollingsworth) and hurls her frustrations to the winds under a nearby railroad trestle.

Footloose  Wagon Wheel Theatre  Warsaw INLed by Ren, the town’s teens gradually gather the courage to face their parents — and the town council — to demand a prom.

No surprise. Eventually, everybody winds up dancing!

Getting there in the WW production is more than a lot of fun. Solid voices and incredibly flexible bodies throw themselves energetically into director/choreographer Scott Michaels’ dances, leaving the opening night audience literally cheering their efforts.

The plotline is painfully obvious but, in “Footloose,” it really doesn’t matter. The good people (Vi Moore, Ethcl McCormack) are very good and even better when they decide to stand up for their children. One of the loveliest moments in the show dials down the decibel level considerably and allows Hawkins, Dow and Kurtz to reflect on the difficulties of “Learning To Be Silent.”

Footloose  Wagon Wheel Theatre  Warsaw INAs Ren, Copley never seems to run out of steam, forging ahead to win not only the girl but her stony father and, with him, the entire town. Frazier delivers a deeply wounded parent who has shut down completely and, finally, struggles to listen (“Heaven Help Me.’”) Hawkins adds warmth as the wife and mother torn between husband and daughter.

As Willard, Bowejski’s aw shucks persona offers his friend some homespun advice in “Mama Says” and slowly and hilariously comes out of his shell.

Rusty (Leanne Antonio) has her eye on Willard and, with her girls (Bailee Enderbrock, Sarah Ariel Brown and Kurtz), leads the show-stopping “Let’s Hear It For the Boys.”

The WW orchestra is a six piece band here, delivering excellent support under the direction of guest conductor/keyboardist Alyssa Kay Thompson.

Mike Higgins’ ingeniously rustic set design translates rapidly from church to home to soda shop and more. Applause (silent) to cast and crew members who deliver the non-stop, quiet and difficult scene changes in the dark. It’s all part of the WW professionalism.

Stephen Hollenbeck’s costume designs are appropriately country, with plenty of required wiggle-room!”

“FOOTLOOSE” plays through June 24 in the Wagon Wheel Theatre in the WW Center for the Arts, 2517 E. Center St in Warsaw. For performance dates and times call (574) 267-8041 or (866) 823-2618 or visit www.wagonwheelcentef.org.

Last Updated on Saturday, 17 June 2017 18:48
 

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