|Comic Tour De Force Must-See At The Barn|
|Thursday, 01 September 2016 22:35|
They say it takes a village to raise a child but there’s proof this week at The Barn Theatre that it takes only two men to create an entire town!
The men in question are Scott Burkell and Joe Aiello, actors (and quick change artists) extraordinaire, returning to the Augusta, MI playhouse after a far-too-long absence.
The town is Tuna, Texas where residents are about to celebrate the 4th of July Tuna High School reunion.
Put them all together and you have “Red, White and Tuna,” the final (to date) part of the trilogy that began with ”Tuna, Texas” and expanded into “A Tuna Christmas” before landing on the national and local celebrations that brought back the wild and wooly Tuna-sians for another hilarious go-round.
Between the two actors, 20 citizens created — and recreated — by Ed Howard, Joe Sears and Jason Williams, here again, renewing old feuds and reviving old loves and even finding a missing husband returning from outer space with a special power.
It took about 30 seconds (after the first gust of laughter receded) to remember why the Burkell-Aiello team is so greatly missed, as a duo or solo. Watching them work, no matter what the character — young, old, male, female — is a master class in acting.
Even in the most outrageous — gun lover Didi Snavely, frequently suicidal reunion queen Joe Bob Lipsey, octogenarian swinger Pearl Burras, animal lover Petey Fisk, Smutsnatchers president Vera Carp, almost-divorced Bertha Bumiller, her taxidermy artist son Stanley, pregnant daughter Charlene and eager fiancé Arles Struvie, former cheerleaders Inita Goodwin and Helen Bedd, to name only a few — there are touches of humanity beneath the layers of absurdity that allow them to make a connection with each audience member.
Local news flashes on radio station OKKK,plus an off-stage cat that thinks it’s a dog, bridge the required brief changes.
It’s constant laughter with a recurring lump in the throat.
Under the direction of Brendan Ragotzy, the intertwined story plays out before Michael Wilson Morgan’s versatile set design with each segment lit appropriately by lighting designer Molly Lampers.
Not surprisingly, wigs and costumes play more than a passing part in the tight transformations which keep up the pace set by the versatile performers. Hans Friedrichs is costume designer with wigs undesignated.
There is no listing for the company members who served as quick-change dressers for the two stars, but they took a well-deserved bow at the final curtain.
It is a sure thing that each audience member left the theater chuckling with his or her favorite character(s) still in mind.
To paraphrase Didi Snavely, “If you can’t get yourself laughing in a small town in Texas, you ain’t really trying.”
In Tuna, Texas you never have to try!
“RED, WHITE AND TUNA” plays at 8 p.m. Friday and Saturday and 5 p.m. Sunday in the theater on M-96 between Galesburg and Augusta, MI. For reservations call (269) 731-4121 or on line at www.barntheatreschool.org
|Last Updated on Friday, 02 September 2016 15:04|